Modern London at blue hour
Modern London at blue hour London – England This is probably the best time of the day in winter for photos. Just after sunset, the skies get this nice blue
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Modern London at blue hour London – England This is probably the best time of the day in winter for photos. Just after sunset, the skies get this nice blue
Fiery Trail London – England I did this one for fun. I had my camera set up for a long exposure shot in front of the Tate Modern, when I
Trafalgar Square London – England Bad weather does not necessarily mean bad photos. In this image, I overexposed the foreground and used a graduated-ND to avoid a blown-out white sky.
British Abstract London – England Close-ups on shapes and textures usually generate interesting images. The ceiling at the British Museum is no exception. In this case, I used a lot
London Shard London – England Renzo Piano’s London Shard at golden hour, taken from the Tower Bridge. I bracketed this for proper exposure. Graduated ND and 81 filters to balance
Millennium Bridge London – England This is a second attempt at this scene. The first you already saw here, and I used a much longer exposure and finished it in
Modern London London – England A view of the London Shard in the far background, taken from the plaza next to the City Hall. I had to bracket this and
Citigroup Centre London – England Nothing special about this shot, but I like the lines on these buildings. Nikon D90, Nikon 16-35mm f/4 VR by Carlos Eduardo Seo
Flamsteed House London – England Taking advantage of light and shadow contrasts. Blue and red contrasts help making this composition stronger. Nikon D90, Nikon 16-35mm f/4 VR by Carlos Eduardo
St. James’ Park London – England Typical London fog in sepia. Overexposed a bit to make the fog look more mistsy. Sepia conversion is done in Silver Efex Pro 2
The Octagonal Room London – England Panorama photo (7 shots) at the Royal Observatory Greenwich. Overexposed it a bit for extra brightness from the sun. Nikon D90, Nikon 16-35mm f/4
HMS Belfast London – England Nothing fancy here — the goal was to make the shot look like it was taken in the past. 81A and grad-ND filters, plus B&W