Cathédrale Notre Dame de Paris
Cathédrale Notre Dame de Paris Not a particularly difficult photo, but it’s the first time I managed to capture all the details I wanted in this scene. It’s a 3-exposure
News from my bubble
Cathédrale Notre Dame de Paris Not a particularly difficult photo, but it’s the first time I managed to capture all the details I wanted in this scene. It’s a 3-exposure
Flooded Louvre Paris, Île-de-France – France Illusion of flooding caused by using an ultra-wide-angle lens at water level in one of the fountains around the Louvre Pyramid. The clear winter
Leftovers from my Alps project — Sun over Mont Blanc Taken from the slopes of the Aiguille-du-Midi, it shows the Mont Blanc du Tacul in the foreground and the cloud-covered
Leftovers from my Alps project — Glacier des Bossons This isn’t actually a leftover. I simply forgot that this image existed, and it’s my best shot of the glacier, taken
Leftovers from my Alps project — Brienzersee Another one I was unsure about posting. Not because it’s a bad photo or anything, but it makes the place looks more like
Fender American Vintage ‘57 Stratocaster Experimenting a bit with the Nikon SB-400 flash set up as a spotlight. I used ISO 400 to get enough exposure in the center of
CERN Genève – Suisse Making good use of ISO 3200 during a particle physics exhibit at CERN. Nikon D90, Tokina 11-16mm f/2.8 by Carlos Eduardo Seo
High Line Park, Gehry’s IAC and Nouvel’s 100 11th Ave New York, NY – USA A nice view from the High Line showing 3 great architectural pieces: Frank Gehry’s IAC Building,
Glacier du Talèfre Chamonix-Mont-Blanc, Rhône-Alps – France Continuing the Alps series. Nikon D90, Tokina 11-16mm f/2.8 by Carlos Eduardo Seo
Aare Interlaken, BE – Schweiz Continuing the Alps series. Nikon D90, Tokina 11-16mm f/2.8 by Carlos Eduardo Seo
The Pond – Central Park New York, NY – USA More monochrome experiments… Nikon D90, Tokina 11-16mm f/2.8 by Carlos Eduardo Seo
This is a great example of my B&W conversion process. After the actual conversion using a Channel Mixer layer, I basically use the same methods Ansel Adams used in the